00 — Live
The real editor
Pick two tracks and press Mix. What opens is an actual GIAD transition. Real stems, the real automation plan, and the checks GIAD ran on its own work. Watch the vocals swap at bar 26 and the crossfader follow whoever has the volume.
Step 1 of 3
Pick your starter
The track that's playing when GIAD takes over.
Step 2 of 3
Pick what comes next
GIAD brings it in over your starter, stem by stem.
Step 3 of 3
Let GIAD mix it
Uh Oh Ah Ih plays at 124 BPM (−4.61%) · 7B over 8A
Reading the tracks…0.0s
01 — Sets
Set builder
Describe the night. Get the whole set. GIAD reads the brief, matches keys and tempos, and shapes an energy curve that peaks exactly when you asked it to.
Set for “Sunset rooftop. Deep house into disco, 2 hours, peak around 1:30.”
02 — Transitions
Two tracks in, one blend out
Don’t like a bar? Circle it and say why. Select any section of the blend, leave a note, and GIAD rewrites just those bars. Every version stays, so you can flip back and compare.
Glass Pavilion — B is +1.7% · 9A → 10A, one step up the wheel · bass swap on bar 9
Lining up downbeats · checking key clash · placing the bass swap…
03 — Learn
Learn the console
It doesn’t just mix. It shows its hands. Every blend becomes a move list for a real two-channel mixer: which knob, which bar, how far. Step through it, then play it yourself.
Move 1 of 6 · bar 1
Cue it
Load B on CH2. Fader down, LOW killed. Find the beat in your headphones.
04 — Checks
Graded before you hear it
GIAD listens back to its own work. Every transition is scored on the things a crowd notices first, and anything borderline gets flagged with the bar it happens on.
Beat lag
−1.5 ms
Kicks land together. Max 8.7 ms, drift 0.02 per bar.
Clash bars
0
No fighting. Two vocals or two basslines never share a bar.
Peak
1.33
Headroom kept. Pre-limiter peak stays under 1.4 through the handoff.
Loudness step
4.5 LU
Flagged at bar 90. Ride it on the fader, or regenerate those bars.
God is a DJ. Now so are you.
Join the early access list for mygiad.com. Bring a crate, leave with a set.
my GIAD! You’re on the list. See you behind the decks.